FASHION AND MODE

Posts Tagged ‘hobbies’

One of the few restaurants in the country to be immortalized in a Sinatra song, the Pump Room in Chicago is now a hot spot once again. The Pump Room was one of the first quality restaurants to open in Chicago after the end of Prohibition, and soon became a Windy City icon. In addition to Sinatra (who sang the praises of the place in the classic song Chicago), the place was a favorite hangout of a lot of famous people including Marilyn Monroe, Sammy Davis, Humphrey Bogart, Clark Gable, Ronald Reagan, Bette Davis and numerous others. The Pump Room, named after a spa in Bath, England, remained open long after the giants that once graced its premises had left. Unfortunately, time took its toll on the legendary establishment, and its culinary fare was soon surpassed by the fine dining scene exploding in Chicago and characterized by uber-chef Charlie Trotter.

The Pump Room opened in’38 under the ownership and management of Ernie Blyfield. Blyfield’s inspiration for the name and ambiance of his restaurant was an 18th Century London pub frequented by celebrities and nobility, including Queen Anne. The ‘Pump Room’ moniker came from the hot drinks ‘pumped’ into the cocktails of its customers.

The Chicago Pump Room was a smashing success from the time it opened. It’s most desired table reserved for ‘A list’ celebrities was Booth #1, which for a time may have been the most sought after table at any dining establishment in the country. Booth #1 at various times hosted Frank Sinatra and his associates, Bogart and Bacall, Judy Garland and daughter Liza Minnelli, John Barrymore and countless others.

Blyfield died in’50, but the Pump Room remained a Chicago hot spot and hosted a new era of superstars including Mel Brooks, Beverly Sills, Paul Newman, Robert Redford. More recently, Michael J. Fox, Eddie Murphy and Mick Jagger have made appearances. A funny story involves former Genesis drummer Phil Collins, who was refused entry for not wearing a jacket. The incident was commemorated in the title of his next solo album No Jacket Required which has since sold over– million copies worldwide and launched Collins into solo superstardom. Following its release, the Pump Room sent Collins an apology”and an appropriate jacket so that the incident wouldnt be repeated.

The Pump Room was purchased by a large restaurant management group in the late’90′s. They spent a lot of money to renovate the facility, overhaul the menu and hire a top flight chef. While the Pump Room’s golden era trade mark flaming food served on a sword was a tragedy of city fire codes, the menu is now on par with any in the city serving a sophisticated interpretation of classic American cuisine. In addition to the revamped cuisine, the Pump Room upgraded its wine offering and expanded the bar area.

Current Executive Chef Nick Sutton has continued the restaurant’s tradition of excellence. The big draw of the Pump Room, however, remains the amazing sense of history that the dining room offers. The realization that a who’s who of civilized American culture from Bogart and Clark Gable to Sinatra and Jackie Gleason broke bread in the room is a pretty amazing vibe. The good news is that the Pump Room again offers the quality of food and service worthy of such icons, and is a victory for culinary excellence amid the national infestation of mediocre chain restaurants.

Not too long ago, Mark Coleman headlined UFC 109 facing Randy Couture. Several days later, he’s apparently no longer good enough to remain in the UFC at all. On Wednesday, following a lopsided loss to Couture the UFC released Coleman from his contract and cut the veteran heavyweight. Coleman is now free to sign with any other promotion, but at 46 years of age his most likely-and most advisable-course of action is retirement.

Coleman became the first UFC fighter to be cut immediately after headlining a PPV event. Others have left due to drug test failures or for other opportunities, but none have ever been cut from their contract. Sources close to the UFC suggest that it was a decision no one wanted to make, but that all felt was unavoidable due to Coleman’s age and deteriorating skills. On the other hand, its interesting that the UFC sees fit to keep any number of other aging fighters with deteriorating skills on the payroll but not a Hall of Famer in Coleman.

While the fact that Coleman is a shell of the fighter he was at his prime, the UFC’s suggestion that they have his best interest at heart is somewhat duplicitous. He was kept around and booked into last Saturday’s fight–a fight that no one particularly had any interest in seeing in the first place–simply because he was a fighter that Randy Couture could beat. Were the UFC interested in the well being of their aging fighters there’s several others on the roster that should also be cut for the same justification as Coleman. Couture, Tito Ortiz and Chuck Liddell are all well past their prime but they’re still under contract and will all likely fight again. No one really wants to see these relics fight, but the UFC has long had a policy that what their fan base wants to see is of minimal importance.

Coleman’s age has never been a secret and his diminished skill level was evident to anyone who has watched his recent fights. If the UFC was really interested in his physical well being, the main event against Couture should have never taken place. The fight itself wasn’t exactly one that UFC fans had been clamoring for and one that met with derision from the MMA media from the time it was announced. The UFC has tried to hide behind a litany of excuses as their PPV buyrates have eroded including the economy and a spate of injuries but at the root of the problem is the hubris of the promotion and the misguided notion that whatever sort of substandard product they serve up will still be bought.

While retirement would be in Coleman’s best interest, he may attempt to fight in a smaller US promotion or in Japan where he’s well known from his time in PRIDE. He’s already a member of the UFC Hall of Fame with a 26-10 career record and has fought the best in the world including Fedor Emelianenko, Antonio Rodrigo Nogueira and Mirko Cro Cop.

After a summer of negotiational back and forth during which both sides indicated at various points that they were far apart and then making progress, the Portland Trailblazers have inked All Star shooting guard Brandon Roy to a five year contract extension. Roy will be in the final year of his rookie contract in the forthcoming NBA season, and securing the services of a player that did no less than turn around the franchise was the teams top summer priority.

Some suggest that the emergence of Roy actually saved the Portland NBA franchise. After a run during the late 1980s behind Clyde Drexler and Terry Porter, the team went a long way toward alienating their passionate fan base. They had a competitive team at times, but Blazer management was tone deaf to the desire of the community to have a franchise that they could be proud of off the court as well as on it. Instead, the Blazers pulled together a roster consisting of character challenged reprobates that earned the moniker JailBlazers for their frequent legal transgressions.

With the Blazers fans staying away from the arena in droves, owner Paul Allen finally had enough and cleaned house. The new management was given the challenge to put together a roster that would not only win games, but win back the Rose City fans. The acquisition of Roy will likely be looked at as the turning point for this effort. The Blazers acquired Roy on draft day 2006 for Randy Foye, and would go on to win the NBAs rookie of the year award.

Since that point, Roy has become the face of the franchise. Roy has become the centerpiece of a talented young team had has not only become a force in the NBAs Western Conference but has gone a long way to winning back the Portland fan base. The current crop of Blazers is more likely to be found in the aisles at Home Depot or at Starbucks than in the police blotter, and the team seldom puts forth a substandard effort on the court.

Roy will earn $4 million dollars in the last year of his rookie season, after which his five year $82 million dollar contract will kick in. The first four years are guaranteed, while the fifth is at the players option. Roys agent Bob Myers strongly suggested that Roy wanted to remain with the Blazers for his entire career, noting that he “is one of the unique players to have a chance to have that sort of relationship with one team.”

The Blazers now turn their attention to working out a long term deal with power forward LaMarcus Aldridge. Like Roy, Aldridge is in the final year of his rookie contract and a key component to the teams recent success. At last report, talks between the two sides are progressing.

Mitsuharu Misawa died in Hiroshima, Japan earlier this year less than a week before his 47th birthday. Akitoshi Saito hit a back suplex on Misawa, which appeared to knock him unconscious. Medical staff attempted to revive him in the ring, but when CPR failed he was taken to a hospital by ambulance. Initial reports in the Japanese media suggest that he was pronounced dead at the hospital, but a number of eyewitness accounts have speculated that he may have died in the ring.

That’s at least a small bit of solace amid the tragedy of Misawa’s death–he died in the ring doing what he loved, and what he did better than just about anyone on the planet. Not like Owen Hart died in the ring, doing a stupid stunt in a silly character that he was reportedly assigned as punishment for refusing to go along with a storyline he felt demeaning, but working the kind of brutally stiff, athletically realistic match that got a generation hooked on Japanese wrestling.

Misawa was a top level high school wrestler, and that got him noticed by All Japan Pro Wrestling majordomo Shohei Giant Baba. He made his professional debut in’81, and got his first big break in’84 when he was chosen as the second Tiger Mask replacing Satoru Sayama. In’90, he had his longtime tag team partner (and occasional rival) Toshiaki Kawada unmask him.

Misawa would wrestle as himself from then on, and become an even bigger star in the process. In June,’90 he became one of the top stars in All Japan Pro Wrestling when he defeated Jumbo Tsuruta. That match was his first main event appearance at the famous Nippon Budokan. He soon faced Triple Crown Champion Stan Hansen in an unsuccessful challenge for the title, and would become the biggest star in Japanese pro wrestling for the next decade.

He had legendary battles against Kawada, Hansen, Kenta Kobashi, and Steve Dr. Death Williams in singles competition. Misawa would continue as a mainstay in AJPW until the early part of this decade. After the death of Giant Baba, he left to establish Pro Wrestling NOAH. He would serve as the companys president while wrestling a full time schedule until his untimely death.

Japanese pro wrestling served as an introduction for many American fans into shoot fight sports and MMA. Before the Internet, fans would trade videotapes to stay up on the latest matches from Japan and along with Jushin Thunder Liger and The Great Muta Keiji Mutoh it safe to say that Misawa is one of the wrestlers most responsible for getting a generation of American fans hooked on the product. Were it not for the subculture he created in America, later wrestling promotions like Ring of Honor and MMA promotions like the UFC wouldn’t have had a ready made audience to tap into.

Though it enjoyed solid fan support and was popular among sports betting enthusiasts, arena football fell off the map with the demise of the Arena Football League. The AFL suspended play under the weight of a poor business model in 2009 and later pulled the plug altogether. Since then, a new league has announced plans to take its place. Arena Football One (AF1 for short) will begin play in April and on Thursday secured a TV contract to broadcast games on the NFL Network in the United States. The TV deal should help the new arena football entrant to get off to a successful start as they attempt to revive the sport. Obviously the long term goal is a deal with a major network like Fox or ESPN but a good relationship with the NFL never hurts.

Superficially, there are many similarities between the defunct Arena Football League and the upstart AF1 circuit. Several former AFL franchises have joined the new league, with several others having previously played in the AFL’s developmental ‘minor league’ known as Arena Football 2. The new league’s organizers are hoping that the similarities remain superficial, and have taken great pains to avoid many of the high salaries and dimwitted business decisions that doomed their predecessors. They’ve also learned from a crucial error of the AFL and will coordinate promotion and publicity of all teams as well as the league as a whole at the corporate level.

The original Arena Football League also made the mistake that many growing companies make in trying to grow too big too fast. Though the league prospered for years by keeping a tight rein on player salaries and team budgets, in the past few years there had been a drastic upward spiral in the cost of player contracts. A division between old line owners dedicated to fiscal responsibility and deep pocketed newcomers (including 80′s rock idol Jon Bon Jovi) anxious to spend as much as they wanted further exacerbated a business model that became more and more unsustainable. They lost touch with their average fan, a fact evidenced by downright bizarre choices in halftime entertaining including poetry readings, figure skating exhibitions and wombat racing.

The AF1 deal with the NFL Network is for one year, with a network option for a second year. The NFL Network will air a ‘game of the week’ every Friday night beginning in April. In addition to providing a good broadcast outlet for the fledgling league it also provides some much needed off season programming to the NFL’s 24/7 cable network. The NFL would be well advised to feature not only Arena Football but also the Canadian Football League during their slow summer months.

Though Arena Football 1 is the largest and best known arena football league, there are actually two other leagues that will begin playing in the coming months. While most are focusing on smaller markets than AF1, the American Indoor Football Association (AIFA) and the Indoor Football League ( IFL) are also in the mix. Eventually, the AF1 will prevail as the top level arena football league with the other two circuits serving as minor league developmental partners.